posted on January 27th, 2015 / 0 comments / permalink

GREEN locandina SMALLDear crowd!
Due to the intense activity of January, in which we hosted a regular session plus the transmediale vorspiel event, we are taking a break in February. Next scope will take place on the 12.03.2015!

However, we would like to invite you to the screening of the italian documentary “Green Lies” (green lies) by Smk Videofactory which will take place at 7pm on Sunday, the 8th of February at Panke, where else!


Scope #39 – January 8th

posted on December 21st, 2014 / 0 comments / permalink

Nicolas Wiese

Nicolas Wiese, born 1976, is an audiovisual artist, designer and composer/performer of electroacoustic music, living in Berlin since 2006.
He creates works in different formats and media, for various contexts – installation and spatial performance, contemporary electronic composition, relational / improvised music, graphic art, drawing, collage, text collage, radio and experimental film.

Post-digital layers, ambiguities and background noise.
An associative lecture-­performance.
A draft out of post­-utopian fragments. An invitation to exchange thoughts, while blurring the line between focus and diffusion.

Tebjan Halm, Elias Holzer

We’re two developers of vvvv, a live-programming environment commonly used to implement large scale media projects and digital art. It’s been around for more than a decade used and cultivated by a strong international community.

In the past few years we’ve been eagerly working on a complete rewrite of vvvv which lead to a new visual programming language in combination with a development and runtime environment. In this talk we’ll give you a short introduction into the key features of this new language we’re internally calling “50″.

Pierce Warnecke



Scope #38 – December 11th

posted on December 1st, 2014 / 0 comments / permalink


Operating at the edge of video, installation and painting. Her works are dealing with the relation of humans and technology and with the interference of information and media, crossing the border from analog to digital and vice versa. Pieces are controlled and displayed through self written software that works with random seeds. Part of my creation is to play with the edges of media, to amplify their very own characteristics.

Generative factor in a visual message, connected with electronic devices, used in a set of variable objects.Hybrid of media and cultural & philospohical garbology. Reverse engineering.

“Transforma: 2001 bis 2014″

Transforma is an artist group with a focus on video, performance, installations and music/video collisions. Transforma collaborates with other artists and musicians to create pieces, that blur borders of established genres in live performance, art & music. Transforma’s work has been performed live and shown at festivals around the world. Transforma are Luke Bennett, Baris Hasselbach and Simon Krahl.

Marcel Schwittlick
“Current Status”

Marcel Schwittlick is a German generative artist living and working in Berlin. With his work he’s examining different notions of reality especially those who result of recent tendencies of digital culture. His work has a philosophical foundation that often evolved into tangible images, videos or installations.
He’s working with digital technology as his main tool. As most of his work is necessary to be realized in the context of generative, real-time software systems, he’s usually creating computer programs which are instructed to carry out his thoughts and ideas.

scope #37 – november 13th

posted on November 11th, 2014 / 0 comments / permalink

“The future of democracy is crowdsourced and organized through peer-to-peer direct action”
- N. Hayase

This Session will attempt an open discussion that addresses issues of privacy and online freedom of expression.

We want to discuss if and why privacy matters. How does that relate to contemporary artists and the tools they (we) are using? Is there a space for a political statement? How much strength does artistic expression have in the cyberworld? What are the chances and responsibilities of artists confronted with the omnipresent power- and control-structures in the wake of the revelations of Edward Snowden and other whistleblowers.

The discussion is open to the public and moderated by:

ioann maria – new media artist . curator . coder

former artistic director of LPM Live Performers Meeting, world’s biggest annual meeting dedicated to live video performance; co-founder of edinburgh hacklab, first scottish hackerspace

twitter: @ioannmaria

In the memory of Aaron Swartz – computer programmer and hacktivist who died tragically last year we will hold a screening of The Internet’s Own Boy: The Story of Aaron Swartz documentary by Brian Knappenberger.

photo (C) 2010 by Trevor Paglen – This photograph depicts a classified “listening station” deep in the forests of West Virginia. The station is located at the center of the “National Radio Quiet Zone,” a region of approximately 34,000 square kilometres in West Virginia and parts of Maryland. Within the Quiet Zone, radio transmissions are severely restricted: omnidirectional and high-powered transmissions (such as wireless internet devices and FM radio stations) are not permitted.

The listening station, which forms part of the global ECHELON system, was designed in part to take advantage of a phenomenon called “moonbounce.” Moonbounce involves capturing communications and telemetry signals from around the world as they escape into space, hit the moon, and are reflected back towards Earth.

The photograph is a long exposure under the full moon light.

scope #36 – october 9th

posted on September 27th, 2014 / 0 comments / permalink

Kevin Rice (Process Reversal) – Photochemical Intiatives

Process Reversal is a U.S. based collective which seeks to preserve celluloid film practices through research, resource development, and film productions focused on advancing the aesthetics and technology of the medium itself. In this sense, the times that we are facing with celluloid today are in fact the most exciting opportunities in the history of the medium — as the industry collapses all around us, we are being left with a chance to re-invent the medium in an image that was neither intended nor desired by the commercialism of the medium; one that explores new ways of seeing, new ways of hearing, and new ways of speaking about film.

Kevin Rice, a member of Process Reversal, will be presenting on behalf of the collective. He is a self described ‘film archivist’ whose practice focuses on the study of photochemical theories, the development of lab resources for filmmakers, and the documentation of various darkroom odysseys on motion picture film.

The talk will expose his perspectives on contemporary film practices today, as well as the artist run film lab community, by discussing the formation, development, and infinite struggles of their collective, Process Reversal. In this, he will be sharing several works from members of the collective, including his own, and discussing their process and how it has evolved since the formation of our group. Along the way, he will explain several aspects of the photo-chemical process in film making and attempt to perform a live demonstration of a technique or two.


So KANNO – signal, noise and machine

Using technology and focusing on some specific matters of technology like relation between signal and noise, error and glitch. Making things that KANNO want to see and observe. Such as drawing machines which is not perfectly controlled by numbers, 3D printed sculpture and garment which uses errors and imperfectness of system intentionally. Predicting the future but not forgetting critical point of view for technology.


Kris Limbach – On improvised Cinema

Kris Limbach is a sound artist residing in Berlin. Although his focus is on sound, he is involved in film projects since 1998, exploring always formats and aesthetics of cinema. His first experimental film, Cuento Incompleto was published in 2005 and since then he has collaborated with various artists performing live film screenings using expanded cinema techniques. This work for film has an outstanding influence on his current sound-art works, using film-editing techniques and film sound aesthetics for his sound pieces like the ongoing begin_ if _ () sound project and live performances. He released on labels such as Richard Garets´s Contour Editions, Staaltape, Modisti, Framework Radio, Agxivatein and more.
His current project “Music for dysfunctional airports” will be premiered at Media Art Friesland in the in November.
Kris Limbach will perform a short improvised piece to give an insight in his techniques and workflow.